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Quatuor Ebene, Gauthier Capucon & Matthias Goerne - Schubert: String Quintet; Lieder (2016) Lossless
Добавил: thaijameupload | 29-07-2016, 06:33 | Просмотров: 18 | Комментариев: 0
Quatuor Ebene, Gauthier Capucon & Matthias Goerne - Schubert: String Quintet; Lieder (2016) Lossless

FLAC (log,tracks+cue), Lossless | Label: Erato / Warner Classics / Parlophone | Classical, Chamber Music | 01:12:05 | 358 Mb

Tracklist:

01. String Quintet in C Major, D. 956 (Op. poth. 163): I. Allegro ma non troppo 20:01
02. String Quintet in C Major, D. 956 (Op. poth. 163): II. Adagio 15:13
03. String Quintet in C Major, D. 956 (Op. poth. 163): III. Scherzo & Trio 09:52
04. String Quintet in C Major, D. 956 (Op. poth. 163): IV. Allegretto 09:50
05. Die Gotter Griechenlands, D. 677 04:20
06. Der Tod und das Madchen, Op. 7 No. 3 D. 531 02:05
07. Der Jungling und der Tod, D. 545 03:37
08. Atys, D. 585 04:19
09. Der liebliche Stern, D. 861 02:48

Performers:
Quatuor Ebene:
Pierre Colombet - Violin
Gabriel Le Magadure - Violin
Adrien Boisseau - Viola
Raphael Merlin - Cello

Gautier Capucon - Cello (tracks: 1-4)
Matthias Goerne - Baritone (Vocal) (tracks: 5-9)
Laurene Durantel - Double Bass (tracks: 5-9)

Franz Schubert (1797-1828) - Composer

Recording Franz Schubert's String Quintet in C major, D. 956, is a major achievement for most string players, and Quatuor Ebene's performance with cellist Gautier Capucon on Erato is a high point in their discography. Playing with great transparency and alertness, the quintet delivers a vital performance that captures the rarefied, almost mystical quality of Schubert's late masterpiece while maintaining a sense of urgency and, at times, explosive energy. This is to be expected of a world-class string quartet, and it's probably more than enough effort for a single CD. Yet the program continues with a set of five of Schubert's lieder, sung by baritone Matthias Goerne and accompanied by Quatuor Ebene and double bassist Laurene Durantel, in arrangements by Raphael Merlin. These versions for voice and strings were conceived in the spirit of the Schubertiades, on the idea that string players likely were in attendance and eager to join Schubert in impromptu music-making. While these transcriptions are speculative, they are certainly enjoyable for their beautiful tone and subdued feeling, and Goerne sings with warmth and expressiveness to match the subtle moods of the arrangements. --Blair Sanderson

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