THE CABINET The “412 MAR-CB” is based on a vintage “checkerboard” Marshall 1960B 4x12 cabinet.
THE SPEAKERS The “H75-PR” is based on vintage pre-Rola 75 Hz cone Celestion G12H-30 speakers. The “M75-PR” is based on vintage pre-Rola 75 Hz cone Celestion G12M-25 speakers. The “H75+M75” is a blend of the two speaker types with the H75 being dominant in the mixture. The “M75+H75” is a blend of the two speaker types with the M75 being dominant in the mixture.
THE MICS AND MIC MIXES In this library, the speaker cabinet was sampled with many microphones and capture types. For microphones with position numbers 00 through 10, these positions represent movement across the face of the speaker along the relative sweet spot from brighter and closer to center (00) to darker and further out on the cap or cone (10). These numbers do not represent any specific unit of measure and are merely sequential arbitrary definitions.
Positions labeled “EDGE” place the microphone near the rim of the speaker cone, but still in a tonally usable area. Positions labeled “FRED” place the microphone at the very center of the speaker at a 45 degree angle, ala the popular “Studio Fredman 45” technique.
MICS “57” is based on a modern production Shure SM57 dynamic microphone. “70” is based on a Microtech Gefell UMT70S condenser microphone. “121” is based on a Royer R121 ribbon microphone. “160” is based on a Beyerdynamic M160 ribbon microphone. “414” is based on an AKG C414 B-ULS condenser microphone. “421” is based on a vintage Telefunken MD421-5 dynamic microphone. “MID” is based on a mid field placed AEA R92 ribbon microphone. “REAR” is based on a vintage Neumann KM84 condenser microphone. “ROOM” is based on a vintage Neumann KM84 condenser microphone.
MIXES “MDRN” is based on a 57 + 421 mic combination. “OH1” is based on a 57 + 121 mic combination. “OH1F” is based on a more “fat” sounding 57 + 121 mic combination. “OH2” is based on a 421 + 121 mic combination. “OH2F” is based on a more “fat” sounding 421 + 121 mic combination. “PROG” is a proprietary mix that excels in modern progressive music styles. “SP2” is based on a multi-mic configuration created by Scott Peterson.
QUICK START CONTENTS The Quick Start folder contains the OwnHammer picks for the most universally ideal single mic and mix positions. Though your mileage may vary, this is a great starting point to get an idea of the overall sound of the cab, speaker, mics, and mixes, and discovering which options you may wish to explore further in the auditioning process.
MID BOOST FILES In the Quick Start folder, all contents have a traditional entry picked from the Mics and Mixes sections, as well a Quick Start contents exclusive feature: the mid boost alternate voicing. The Mid Boost files end with an “M+”, and can be useful in counter balancing bright or scooped amps or amp models, guitars and pickups, bus processing, and/or playback systems – especially PA’s at high volumes. M+ IR’s can also be appropriate for exposed and center panned solo/lead guitar sections in both tonality and feel, or personal/artistic preference to mid heavy tones.
Wave audio format IR's (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in: 24 bit resolution 44.1, 48, 88.2, and 96 kHz sample rates mono channel count minimum phase transformed ("Mpt") and non-minimum phase transformed 200 and 500 ms decay tail lengths For added convenience, .wav files appropriate for conversion or submission to the following platforms have been separated out and designated within the library structure: Atomic Amplifire Fractal Audio Systems hardware/software Kemper Profiling Amp Line 6 Helix Two Notes hardware KNOW YOUR PLATFORM'S FILE FORMAT! THIS LIBRARY CONTAINS .WAV FORMAT FILES ONLY.
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